The symmetry of the cover of Wafaa BOwaisi Narrator as a model

Authors

  • Ahlam Moloud Klamy Department of Arabic Language, Faculty of Literature, University of Zawiya Author

DOI:

https://doi.org/10.54172/dx1qap97

Keywords:

narrator, Semitism, Cover, BOwaisi

Abstract

The research aimed at detecting the iconic mark of the cover, identifying some of its connotations, the extent to which they relate to the elements and parts of the text, and lurking in depth and shallow. And trying to capture and decipher the mark through the semiotic curriculum that dealt with it and study the cover and some of its components (threshold, image, geometric forms, line types) The research concluded with a set of outcomes Its most important outcome was to enable the narrator to connect the cover to its textile marks after it's been decoded. It follows the steps of establishing its architecture Where he put the painting in the embrace of the sky with a symbol (briefing) The dominance of the blue color in its different grades appeared over most of the cover area, the threshold area took the darker grades to denote (sovereignty), and the sign of the narrator was based on two connections: the digital link and the color link.

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Published

2023-04-30

Issue

Section

Articles

How to Cite

Klamy, A. M. (2023). The symmetry of the cover of Wafaa BOwaisi Narrator as a model. Al-Mukhtar Journal of Social Sciences, 41(1), 54-64. https://doi.org/10.54172/dx1qap97