The symmetry of the cover of Wafaa BOwaisi Narrator as a model
DOI:
https://doi.org/10.54172/dx1qap97Keywords:
narrator, Semitism, Cover, BOwaisiAbstract
The research aimed at detecting the iconic mark of the cover, identifying some of its connotations, the extent to which they relate to the elements and parts of the text, and lurking in depth and shallow. And trying to capture and decipher the mark through the semiotic curriculum that dealt with it and study the cover and some of its components (threshold, image, geometric forms, line types) The research concluded with a set of outcomes Its most important outcome was to enable the narrator to connect the cover to its textile marks after it's been decoded. It follows the steps of establishing its architecture Where he put the painting in the embrace of the sky with a symbol (briefing) The dominance of the blue color in its different grades appeared over most of the cover area, the threshold area took the darker grades to denote (sovereignty), and the sign of the narrator was based on two connections: the digital link and the color link.
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Ahlam Moloud Klamy (Author)

This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright of the articles Published by Almukhtar Journal of Social Science (MJSSc) is retained by the author(s), who grant MJSc a license to publish the article. Authors also grant any third party the right to use the article freely as long as its integrity is maintained and its original authors and cite MJSSc as the original publisher. Also, they accept the article remains published by the MJSSc website (except in the occasion of a retraction of the article).





